finearttrekkinCulverCity: 2010

SUSANNE VIELMETTER LOS ANGELES PROJECTS

JOEL TAUBER

"Pumping" December 18, 2010 - January 22, 2011

Reception: Saturday, December 18, 6 - 8 pm

Joel Tauber, "Pumping", 2010,

Installation view at Susanne Vielmetter Los Angeles Projects.

Courtesy of Joel Tauber and Susanne Vielmetter Los Angeles Projects.

Photo credit: Robert Wedemeyer.

Susanne Vielmetter Los Angeles Projects is pleased to present "Pumping", an installation of new videos, sculpture and photographs by Joel Tauber.

"Pumping" is an investigation of the early history of trains in Los Angeles and that history's intersection with water and oil resources. Looking at the history of the Southern Pacific Railroad which was largely responsible for transforming Los Angeles from a small town into a giant metropolis, the exhibition traces the two crucial resources for this development: water and oil. Throughout the project, Joel Tauber ponders the fragility and temporality of the city's foundation.

Joel Tauber explores the History of the Railroads in "Pumping"

as it intersects with the industries of oil drilling and water distribution in Los Angeles. In an intimate setting at the new Susanne Vielmetter Gallery space, Tauber depicts wall sized photographs of a barren Los Angeles desert landscape fueled by his imagination and the energy to close in on the structures that dotted our pioneering spirit when settlers were just beginning to tame the wild wild west. Tauber brings the railroad logs and ties and even the old fashion original railcar into the gallery to demonstrate its powerful message within the context of fine art.

This is an artist whom I have covered for his environmental activist projects involving his love for one Sycamore Tree in particular, from Pasadena

(refer to blog site http://gingersartjoural.blogspot.com 2008 "The Art of Lovin' Trees").

Joel Tauber continues to create impactful exhibitions

involving issues of environmental concern to each and every resident

of the State of California.

Consisting of a 3 channel video installation, a steel handcar displayed on 80 feet of railroad tracks, and a selection of accompanying photographs, the exhibition is Tauber's most ambitious sculptural installation to date. As in earlier projects, the artist is the central actor in this current narrative. Accompanied by a whispered monologue, we see him riding a hand-powered railcar on abandoned train tracks through the desert and pumping water from an old-fashioned water pump. The desert landscape suggests an unspecified future - one that lacks the infrastructure of the contemporary city, and suggests what Los Angeles might look like had it never been developed. There are no trains or oil, and there is little water in this imagined period. The future and the past are conflated through visual cues: the work was filmed using a 16mm hand-cranked camera and the photographic prints are distressed so that the installation looks like it was made at the dawn of the 20th century. These relationships are further elucidated through the narration which begins with a contemplation of Los Angeles in 1873, wonders about the promise of economic progress and the belief in corporate power and follows the city's rapid growth based on the illusion of a never ending supply of oil and water. Grappling with our past and potential futures, "Pumping" looks at our relationship with finite resources and with past expectations of this city's destiny.

Joel Tauber received his MFA from Art Center College of Design and his BA from Yale University. His work has been featured in the 2004 and 2008 California Biennials, Orange County Museum of Art, Newport Beach, CA; in "Cluster Balloons: From Lawn Chairs to Cosmic Rays", Anderson-Abruzzo Albuquerque International Balloon Museum, Albuquerque, NM; in "No Matter. Failure and Art", Kunstverein Hildesheim, Germany; in "Flight Dreams", Art Gallery of Nova Scotia, Nova Scotia, Canada; in "Love is Like Oxygen", W139, Amsterdam, Netherlands; "The Gravity in Art", De Appel Centre For Contemporary Art, Amsterdam, Netherlands; and "Systems Theory", Torrance Art Museum, Torrance, CA. Film Festivals include the San Francisco Documentary Festival, Blue Planet Film Fest (Los Angeles), the Hartford International Film Festival, and the Downtown Film Festival - Los Angeles, where his movie, "Sick-Amour", was awarded "Best Green Film." Tauber won the 2007 Contemporary Collectors of Orange County Fellowship and the 2007-2008 CalArts / Alpert Ucross Residency Prize for Visual Arts.

Susanne Vielmetter Los Angeles Projects is located at 6006 Washington Blvd in Culver City, 1 block west of La Cienega at Sentney Avenue, on the south side of the street. Gallery parking is available across the street from the gallery off of Sentney Avenue. Gallery Hours are Tuesday through Saturday from 11 am - 6 pm and by appointment.

6006 Washington Boulevard, Culver City, California 90232 phone 310.837-2117 www.vielmetter.com

Special thanks to Susanne Vielmetter for the courtesy of reprinting the press release and for her talking the time to pose for a photo just before the opening reception for Joel Tauber's "Pumping".

Susanne Vielmetter promoting the opening exhibition of
Los Angeles Film, Sculpture and Photography Artist Joel Tauber in "Pumping".
Photo and Caption by Ginger Van Hook©2010

New Installation Photos Courtesy of Joel Tauber December 2010.

Joel Tauber, "Pumping", 2010, Installation view at Susanne Vielmetter Los Angeles Projects. Courtesy of Joel Tauber and Susanne Vielmetter Los Angeles Projects. Photo credit: Robert Wedemeyer.